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To Catch A Cheater Cheating Wife Is Catfished & Exploited Into Sex By Her Husband's Son SCENE OPENS on the interior of a car, where loving husband Joe in the driver's seat has just pulled to a stop and put on his blinkers. He leans his arm casually against the window-frame, his wedding ring noticeable on his propped-up hand, and he turns to look lovingly at his wife in the passenger's seat. Vanessa (India Summer) has pulled down the passenger's visor and is applying a retouch of her make-up using the visor mirror, but shoots a glance and a smile at her husband as he turns to look at her. Joe asks if she's sure she doesn't want him to drive her the rest of the way, he really doesn't mind. Vanessa says 'Oh, no, honey! That's so sweet, but you have a lot of work to get done. I'll be OK, it's just a few more blocks to walk from here.' \u00a0Vanessa finishes applying her makeup but is still fixated on the mirror, flouncing her hair to look just right. In any case, she says, she doesn't know how long this meeting is going to last so he probably shouldn't wait up for her. He should go out for a bit, have some fun with the boys. Joe is disappointed, saying that his son, Danny, is coming for dinner that night. Vanessa gasps, saying that she can't believe she's going to miss Danny again! Joe sighs and says it's okay and that she'll just have to meet him next time. Joe leans over for a kiss after wishing her good luck for the day, but she steps out of the car without acknowledging him. From a wide flat perspective outside the passenger's side of the car, we see Vanessa step out of the car and close the door. Elegant and purposeful, she slowly walks towards the camera. As the car pulls away, Vanessa looks back for a moment, then forward again, looking straight towards (or past) the camera. With a subtle smile, she continues walking, and as she gets closer we clearly see her hold her hand out in front of her and remove her wedding ring from her finger. CUT TO TITLE PLATE Vanessa arrives at a house entranceway and rings the bell. A young male teenager (Dustin Daring) answers the door. She looks him up and down, and says 'You must be Danny,' before nonchalantly walking past him into the house. He closes the door behind him, then takes a picture with her since his friends would never believe he's getting with such a hot piece. She asks if he's 18, and he says yes - he points back out of the room and says he can show her his license if she doesn't believe him. She says no, it's fine, she believes him. She stands in the hallway but with a nosey curiosity starts looking around through the open areas of the house. She says it's a pretty nice place, and asks if it's his parents' house. The teen says no, he doesn't live with his parents, he's renting it with some roommates. They're not home right now. 'So what do I call you?' Danny asks. She tells him he doesn't need to call her anything, they're just here to have some fun and then she'll never see him again. They go into his bedroom and she pushes him to the bed. She begins taking off her heels and he asks if it's the first time she ever used the dating site. He says that it is for him, though his buddy uses the website and ended up with a married woman! She's not married, is she? Vanessa says that it's complicated. Danny is worried about what her husband will think. She says he doesn't know about it, it's better for a marriage to have a couple of secrets. The teen corrects her, better for her, she means. She rolls her eyes, what does he care? He's the one fucking a married woman, so he can cool it with the ethics lesson. Is he going to fuck her or not? 'Oh, I'm going to fuck you, Vanessa,' Danny says while taking off his shirt. Vanessa is shocked as she sees a family picture of Danny and Joe on the shelf, putting two and two together. She tells Danny that this isn't what it seems and that he can't possibly understand! Danny tells her that he's going to send the picture of them to his dad so that he can see how big of a whore she is, going around to young strange men's houses discreetly behind his back. Vanessa tries to bargain with and seduce him, telling Danny that she sees what this is -- he just wants to fuck his step-mother. He tells her that she's pathetic, but that she'd better get down on her knees and suck his dick. Vanessa, never wanting that picture to see the light of day, slowly sinks down to her knees as the cougar becomes prey to the catfish.

To Catch A Cheater Cheating Wife Is Catfished & Exploited Into Sex By Her Husband's Son SCENE OPENS on the interior of a car, where loving husband Joe in the driver's seat has just pulled to a stop and put on his blinkers. He leans his arm casually against the window-frame, his wedding ring noticeable on his propped-up hand, and he turns to look lovingly at his wife in the passenger's seat. Vanessa (India Summer) has pulled down the passenger's visor and is applying a retouch of her make-up using the visor mirror, but shoots a glance and a smile at her husband as he turns to look at her. Joe asks if she's sure she doesn't want him to drive her the rest of the way, he really doesn't mind. Vanessa says 'Oh, no, honey! That's so sweet, but you have a lot of work to get done. I'll be OK, it's just a few more blocks to walk from here.' \u00a0Vanessa finishes applying her makeup but is still fixated on the mirror, flouncing her hair to look just right. In any case, she says, she doesn't know how long this meeting is going to last so he probably shouldn't wait up for her. He should go out for a bit, have some fun with the boys. Joe is disappointed, saying that his son, Danny, is coming for dinner that night. Vanessa gasps, saying that she can't believe she's going to miss Danny again! Joe sighs and says it's okay and that she'll just have to meet him next time. Joe leans over for a kiss after wishing her good luck for the day, but she steps out of the car without acknowledging him. From a wide flat perspective outside the passenger's side of the car, we see Vanessa step out of the car and close the door. Elegant and purposeful, she slowly walks towards the camera. As the car pulls away, Vanessa looks back for a moment, then forward again, looking straight towards (or past) the camera. With a subtle smile, she continues walking, and as she gets closer we clearly see her hold her hand out in front of her and remove her wedding ring from her finger. CUT TO TITLE PLATE Vanessa arrives at a house entranceway and rings the bell. A young male teenager (Dustin Daring) answers the door. She looks him up and down, and says 'You must be Danny,' before nonchalantly walking past him into the house. He closes the door behind him, then takes a picture with her since his friends would never believe he's getting with such a hot piece. She asks if he's 18, and he says yes - he points back out of the room and says he can show her his license if she doesn't believe him. She says no, it's fine, she believes him. She stands in the hallway but with a nosey curiosity starts looking around through the open areas of the house. She says it's a pretty nice place, and asks if it's his parents' house. The teen says no, he doesn't live with his parents, he's renting it with some roommates. They're not home right now. 'So what do I call you?' Danny asks. She tells him he doesn't need to call her anything, they're just here to have some fun and then she'll never see him again. They go into his bedroom and she pushes him to the bed. She begins taking off her heels and he asks if it's the first time she ever used the dating site. He says that it is for him, though his buddy uses the website and ended up with a married woman! She's not married, is she? Vanessa says that it's complicated. Danny is worried about what her husband will think. She says he doesn't know about it, it's better for a marriage to have a couple of secrets. The teen corrects her, better for her, she means. She rolls her eyes, what does he care? He's the one fucking a married woman, so he can cool it with the ethics lesson. Is he going to fuck her or not? 'Oh, I'm going to fuck you, Vanessa,' Danny says while taking off his shirt. Vanessa is shocked as she sees a family picture of Danny and Joe on the shelf, putting two and two together. She tells Danny that this isn't what it seems and that he can't possibly understand! Danny tells her that he's going to send the picture of them to his dad so that he can see how big of a whore she is, going around to young strange men's houses discreetly behind his back. Vanessa tries to bargain with and seduce him, telling Danny that she sees what this is -- he just wants to fuck his step-mother. He tells her that she's pathetic, but that she'd better get down on her knees and suck his dick. Vanessa, never wanting that picture to see the light of day, slowly sinks down to her knees as the cougar becomes prey to the catfish.

4 years ago 1442 6:15
As Mimosa, Nikki Darling, and Bella Rossi are on their way to Ramon Nomar's glamorous flat, they catch Mona Wales in her natural environment. She is searching the garbage in a ridiculous state of feral rabidity. When she sees them she crosses the street to molest them. Sniffing the girls' pussies, searching for a fuck, this disgusting garbage creature is utterly unrefined and begging to be whipped into shape. Mimosa yanks her chain and Nikki and Bella wrestle the wild bitch toward the door of the flat where they plan to dominate her into a useful and consummate woman of taste. She fights every step of the way and the dommes smack, pinch, and lift her into the center of the party where she stands at attention, eager to be fed treats, dicks, pussy or any attention at all. They wax her overgrown armpits as she screams in agony and shave her legs to match. She refuses to behave so they call Ramon Nomar over to give her a proper dicking. Mona sucks his cock and eats Nikki’s pussy, trying to be useful for something other than a trash can. She is smothered by Mimosa's gigantic ass and Bella suffocates her with her bountiful tits. Ramon picks her up to spin her around and fuck her pussy then her ass as the audience double penetrates her with a dick on a stick! She is screaming and writhing with every orgasm and Ramon fucks her hard as he holds a bucket of ice over her head. After the disgusting slut is chilled out she is made to swallow her crusty toenails while Ramon Nomar comes on her face. She is dressed as the perfectly nouveau riche whore she has become and sent into the streets at sunset to have strangers admire the glazed and dazed facial she displays as she wanders away.

As Mimosa, Nikki Darling, and Bella Rossi are on their way to Ramon Nomar's glamorous flat, they catch Mona Wales in her natural environment. She is searching the garbage in a ridiculous state of feral rabidity. When she sees them she crosses the street to molest them. Sniffing the girls' pussies, searching for a fuck, this disgusting garbage creature is utterly unrefined and begging to be whipped into shape. Mimosa yanks her chain and Nikki and Bella wrestle the wild bitch toward the door of the flat where they plan to dominate her into a useful and consummate woman of taste. She fights every step of the way and the dommes smack, pinch, and lift her into the center of the party where she stands at attention, eager to be fed treats, dicks, pussy or any attention at all. They wax her overgrown armpits as she screams in agony and shave her legs to match. She refuses to behave so they call Ramon Nomar over to give her a proper dicking. Mona sucks his cock and eats Nikki’s pussy, trying to be useful for something other than a trash can. She is smothered by Mimosa's gigantic ass and Bella suffocates her with her bountiful tits. Ramon picks her up to spin her around and fuck her pussy then her ass as the audience double penetrates her with a dick on a stick! She is screaming and writhing with every orgasm and Ramon fucks her hard as he holds a bucket of ice over her head. After the disgusting slut is chilled out she is made to swallow her crusty toenails while Ramon Nomar comes on her face. She is dressed as the perfectly nouveau riche whore she has become and sent into the streets at sunset to have strangers admire the glazed and dazed facial she displays as she wanders away.

4 years ago 117526 4:00
IMMERSION THERAPY: A JAY TAYLOR STORY WOMAN AGREES TO INTENSIVE DP THERAPY SESSION TO CURE PHOBIAS Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She's dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn't listening. She's more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, 'Erin?' The woman snaps to attention, but still remains closed off. The therapist continues, 'I really need you to pay attention and work with me today. If I'm being honest, I'm running out of ideas on how to continue. Now, did you do the homework I assigned last session?' Erin frowns. CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted. CUT back to the therapist's office. Erin slowly responds to the question, 'Um... I went as far as I could.' Daniella is almost at a loss, and though her words are measured, she is frustrated, 'Okay ... What is it about your own body that repulses you?' Erin stiffens, she doesn't want to answer this question again. 'It's not MY body. It's anyone's body! They're so messy, so bestial. The way they look, feel, smell, sound...' Daniella interrupts her almost absent-mindedly, 'And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.' Daniella's offer intrigues Erin. She sits up, focused. 'I don't want to go to anyone else. I'm willing to do whatever you think we need to do.' Daniella smiles, 'Excellent. I'll prepare the consent forms.' CUT TO TITLE PLATE Erin sits on the floor of the therapist's office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. 'Excellent, this should give us the comfortable setting we require,' she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. 'Good,' She says, putting it on the desk. 'Now, I need you to trust me. You want to get better, yes?' Erin nods, and Daniella continues, 'Good. Why don't we get a little more comfortable? Take your sweater off, and I'll do the same.' Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, 'Wonderful. Look at how far you've come already. Now, just mirror what I do.' She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts. Erin is startled, but Daniella quickly calms her, 'Don't mind him! He's just my assistant. An extra pair of hands. Focus on me!' Erin's eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can't see it, so Daniella describes it to her ... building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin's legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin's top, squeezing her tits. The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant's cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other. As Erin continues to suck the second assistant's cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her. The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn't going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?

IMMERSION THERAPY: A JAY TAYLOR STORY WOMAN AGREES TO INTENSIVE DP THERAPY SESSION TO CURE PHOBIAS Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She's dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn't listening. She's more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, 'Erin?' The woman snaps to attention, but still remains closed off. The therapist continues, 'I really need you to pay attention and work with me today. If I'm being honest, I'm running out of ideas on how to continue. Now, did you do the homework I assigned last session?' Erin frowns. CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted. CUT back to the therapist's office. Erin slowly responds to the question, 'Um... I went as far as I could.' Daniella is almost at a loss, and though her words are measured, she is frustrated, 'Okay ... What is it about your own body that repulses you?' Erin stiffens, she doesn't want to answer this question again. 'It's not MY body. It's anyone's body! They're so messy, so bestial. The way they look, feel, smell, sound...' Daniella interrupts her almost absent-mindedly, 'And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.' Daniella's offer intrigues Erin. She sits up, focused. 'I don't want to go to anyone else. I'm willing to do whatever you think we need to do.' Daniella smiles, 'Excellent. I'll prepare the consent forms.' CUT TO TITLE PLATE Erin sits on the floor of the therapist's office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. 'Excellent, this should give us the comfortable setting we require,' she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. 'Good,' She says, putting it on the desk. 'Now, I need you to trust me. You want to get better, yes?' Erin nods, and Daniella continues, 'Good. Why don't we get a little more comfortable? Take your sweater off, and I'll do the same.' Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, 'Wonderful. Look at how far you've come already. Now, just mirror what I do.' She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts. Erin is startled, but Daniella quickly calms her, 'Don't mind him! He's just my assistant. An extra pair of hands. Focus on me!' Erin's eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can't see it, so Daniella describes it to her ... building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin's legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin's top, squeezing her tits. The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant's cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other. As Erin continues to suck the second assistant's cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her. The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn't going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?

4 years ago 1609 6:14
Welcome to the Divine Bitches Reformatory for Wayward Men. The stunning Chanel Preston is the head of this house and is responsible for administering a uniquely unorthodox treatment for the men here. Dressed in her medical lab coat, black stockings and tight black dress, she puts black gloves on her hands before approaching her patient Rick Fantana. Rick is a pervert. No two ways around this, he has been in treatment for over a year and is not showing any signs of improvement. Chanel knows it's time for the next phase, PAIN. Rick Fantana the pervert deserves pain and punishment. Fully restrained with leather straps and an open mouth spider gag, Chanel starts right away. Electric zapper right to the dick. Caning on all of Rick's sensitive areas. Clamps all over his skin and nipples. Rick screams in pain. Chanel knows the only way this loser man will learn is if she mixes a little bit of pleasure. Rick's cock gets hard and dripping wet with precum but he is not allowed to cum. Edged over and over again by Chanel, this man wimpers with regret of his past life. Phase two is the most effective. Chanel straps on a huge cock and fucks Rick's sad hole. This pervert gets off on it and is rock hard again. After the anal pounding, it's time for Rick to learn how to pleasure a woman. Rick is made to perform cunnilingus on Chanel before she flips him over and uses his pathetic dick for an epic orgasm. Finally Rick must hold his cum, edged over and over again. But, this loser loses it and is made to eat his own cum.

Welcome to the Divine Bitches Reformatory for Wayward Men. The stunning Chanel Preston is the head of this house and is responsible for administering a uniquely unorthodox treatment for the men here. Dressed in her medical lab coat, black stockings and tight black dress, she puts black gloves on her hands before approaching her patient Rick Fantana. Rick is a pervert. No two ways around this, he has been in treatment for over a year and is not showing any signs of improvement. Chanel knows it's time for the next phase, PAIN. Rick Fantana the pervert deserves pain and punishment. Fully restrained with leather straps and an open mouth spider gag, Chanel starts right away. Electric zapper right to the dick. Caning on all of Rick's sensitive areas. Clamps all over his skin and nipples. Rick screams in pain. Chanel knows the only way this loser man will learn is if she mixes a little bit of pleasure. Rick's cock gets hard and dripping wet with precum but he is not allowed to cum. Edged over and over again by Chanel, this man wimpers with regret of his past life. Phase two is the most effective. Chanel straps on a huge cock and fucks Rick's sad hole. This pervert gets off on it and is rock hard again. After the anal pounding, it's time for Rick to learn how to pleasure a woman. Rick is made to perform cunnilingus on Chanel before she flips him over and uses his pathetic dick for an epic orgasm. Finally Rick must hold his cum, edged over and over again. But, this loser loses it and is made to eat his own cum.

4 years ago 1506 4:00
THE AURA DOLL WOMAN AGREES TO HAVE THREESOME SEX WITH MAN AND SILICONE LOVE DOLL SCENE opens on the outdoor patio of a quiet caf\u00e9. Becca (Whitney Wright), a mild-mannered college student, sits quietly reading when her friend arrives with a pair of coffees. Putting her book aside, they hug and sit down to catch up, sipping their beverages and small talking about life and their plans for the next semester. Becca's phone suddenly buzzes. It's a notification from a dating site she's subscribed to, telling her she's got a new match. Becca looks embarrassed, but her friend encourages her to swipe and check out the man's profile. After all, she did say she wanted to get out more after her breakup, right? Becca nods. The man is handsome, older, and has messaged her, asking if she would be interested in a threesome with him and his girlfriend. The thought of this makes Becca blush but her friend encourages her to write back. 'That app is vetted, I use it all the time!' she says. 'What's the worst that's going to happen? You have a funny story to tell?' Becca bites her lip and asks for reassurance. Should she should really write him back? The friend nods. 'Totally,' she says, sipping her coffee as the camera pans down Becca's unsure face to the profile she is staring at. CUT TO TITLE PLATE Becca stands in the bathroom mirror, in her bra and panties. She is staring at herself, trying to psych herself up for her date when her phone buzzes again. The man she met on the app, Robert, has texted her directly. 'We can't wait to meet you tonight!' She bites her lip before turning back to stare at herself in the mirror. A slight smirk crosses her face. She's excited. Cut to Robert's house. Becca knocks and nervously straightens herself out, when Robert (Tommy Pistol) opens the door. He is calm and inviting, exclaiming how breathtakingly beautiful she is and extending his hand to lead her inside. The living room has been set up with candles and wine, which he offers, and she accepts. They small talk for a few minutes, mostly about how nervous and excited they both are. It's their first time doing this. Becca is very charmed by the mild-mannered man and even allows herself to get closer to him, as they both start to gear up for their hookup together. But someone is missing. She casually asks Robert where his girlfriend is. 'Oh, she's just in the next room,' he says confidently. 'We were putting the finishing touches on dinner. Would you like to meet her?' Becca nods and they stand up to walk in the other room, where a full dinner has been laid out on a nicely decorated dining table. A woman sits frozen at the end of the table, her back to Becca. Robert starts to rant about the lovely meal they have prepared and how excited his girlfriend, Harper, is about their night together while Becca stares at the woman's backside. A chill runs down her spine. Why isn't the woman moving? She slowly turns to look at the man whose hand is now grazing her back. 'Robert....?' She begins to say when, nervously, the man pulls Becca into the room fully to introduce Harper. A silicone love doll, dressed neatly in a party dress, has been propped up in a chair waiting for them. Becca's eyes go wide, and her mouth drops open in shock, as she backs away from the table and the man's grasp. 'What is wrong with you?' She gasps, grabbing her bag while he chases after her. Robert pleads with her to stop, to listen to him, to listen to them. Yes, it is an unconventional relationship, but his love for Harper goes far beyond just a toy. Since his actual wife died years ago, she has been his only true source of comfort. The only woman who wouldn't reject him. It was her attention and affection that helped him gain the confidence to start dating again. To try the app. It was her loyalty that made him feel like a whole person again. Couldn't she please just try to be understanding? She seemed so open-minded while they were chatting. Harper isn't just a doll, she is a real woman, just one made of silicone. If she would only stay and try it, she might even enjoy the experience. As Robert rambles on, Becca backs up to the door, her mind racing. She is able to stammer 'No thank you. I'm not interested. Please don't contact me again!' before running off into the night. That night, as Becca lies in bed, she dreams that Harper is lying beside her. In her dream, she begins to caress and kiss the silicone woman's body as the camera cuts back and forth between her fantasy and her tossing in her bed. Finally, she opens her eyes to find herself alone and breathing heavily. The next day, Becca sits beside her bed, distracted. She keeps picking up the phone but there has been no contact from Robert. She stares at his profile longingly, wishing she could see Harper's face too. Later that evening, Becca lays on her bed, looking at her laptop. She searches 'silicone woman' and pulls up a website called AuraDolls.com. Scrolling through it, she discovers the Harper model and stares at it. She can't help but be turned on by the thought of being with her. She knows what she needs to do. She closes the laptop and, grabbing her purse, leaves the apartment. Robert sits in his bedroom, quietly reading beside Harper, when he hears someone slam the front door and run up his stairs. Nervously, he gets out of bed to confront them when Becca appears in his bedroom doorway. She is frazzled and full of adrenaline. 'Becca! How did you get in here?' He asks, confused. She walks up and kisses him boldly on the mouth. 'I let myself in, I hope you don't mind.' She whispers. It's the first time a real woman has kissed him in years and Robert melts at her touch. She looks at the doll sitting in the bed. 'I want to try it,' she whispers in his ear. Robert starts to tear up, as he looks at the two women in his bedroom. He takes Becca's hand and pulls back the cover to his bed to invite her in. Tentatively, Becca begins to caress Harper's face, asking Robert if she can kiss Harper. Robert hops onto the bed and puts his arm around Harper, telling Becca that she's very affectionate. Becca climbs up onto the bed and moves towards Harper. She confesses to Robert that she's very nervous, but he reassures her, telling her that there's nothing to be nervous about. Becca can treat her like a real person. Becca delicately kisses Harper's soft lips before turning her attention to Robert and kissing him. Soon the two pull away from each other and slowly peel the negligee off of Harper's chest. Robert leads Becca in caressing Harper's full breasts as Becca gasps. Robert takes off Becca's shirt as she lays down next to Harper. Slipping off the rest of Becca's clothes, Robert trails kisses down her thighs, lightly tonguing her clit before spreading Harper's legs and licking her pussy. Alternating between Harper and Becca, Robert eats both of them out hungrily. Becca may have been hesitant at first, but now that she's gotten to know Harper, can she ever live without the Aura Doll again?

THE AURA DOLL WOMAN AGREES TO HAVE THREESOME SEX WITH MAN AND SILICONE LOVE DOLL SCENE opens on the outdoor patio of a quiet caf\u00e9. Becca (Whitney Wright), a mild-mannered college student, sits quietly reading when her friend arrives with a pair of coffees. Putting her book aside, they hug and sit down to catch up, sipping their beverages and small talking about life and their plans for the next semester. Becca's phone suddenly buzzes. It's a notification from a dating site she's subscribed to, telling her she's got a new match. Becca looks embarrassed, but her friend encourages her to swipe and check out the man's profile. After all, she did say she wanted to get out more after her breakup, right? Becca nods. The man is handsome, older, and has messaged her, asking if she would be interested in a threesome with him and his girlfriend. The thought of this makes Becca blush but her friend encourages her to write back. 'That app is vetted, I use it all the time!' she says. 'What's the worst that's going to happen? You have a funny story to tell?' Becca bites her lip and asks for reassurance. Should she should really write him back? The friend nods. 'Totally,' she says, sipping her coffee as the camera pans down Becca's unsure face to the profile she is staring at. CUT TO TITLE PLATE Becca stands in the bathroom mirror, in her bra and panties. She is staring at herself, trying to psych herself up for her date when her phone buzzes again. The man she met on the app, Robert, has texted her directly. 'We can't wait to meet you tonight!' She bites her lip before turning back to stare at herself in the mirror. A slight smirk crosses her face. She's excited. Cut to Robert's house. Becca knocks and nervously straightens herself out, when Robert (Tommy Pistol) opens the door. He is calm and inviting, exclaiming how breathtakingly beautiful she is and extending his hand to lead her inside. The living room has been set up with candles and wine, which he offers, and she accepts. They small talk for a few minutes, mostly about how nervous and excited they both are. It's their first time doing this. Becca is very charmed by the mild-mannered man and even allows herself to get closer to him, as they both start to gear up for their hookup together. But someone is missing. She casually asks Robert where his girlfriend is. 'Oh, she's just in the next room,' he says confidently. 'We were putting the finishing touches on dinner. Would you like to meet her?' Becca nods and they stand up to walk in the other room, where a full dinner has been laid out on a nicely decorated dining table. A woman sits frozen at the end of the table, her back to Becca. Robert starts to rant about the lovely meal they have prepared and how excited his girlfriend, Harper, is about their night together while Becca stares at the woman's backside. A chill runs down her spine. Why isn't the woman moving? She slowly turns to look at the man whose hand is now grazing her back. 'Robert....?' She begins to say when, nervously, the man pulls Becca into the room fully to introduce Harper. A silicone love doll, dressed neatly in a party dress, has been propped up in a chair waiting for them. Becca's eyes go wide, and her mouth drops open in shock, as she backs away from the table and the man's grasp. 'What is wrong with you?' She gasps, grabbing her bag while he chases after her. Robert pleads with her to stop, to listen to him, to listen to them. Yes, it is an unconventional relationship, but his love for Harper goes far beyond just a toy. Since his actual wife died years ago, she has been his only true source of comfort. The only woman who wouldn't reject him. It was her attention and affection that helped him gain the confidence to start dating again. To try the app. It was her loyalty that made him feel like a whole person again. Couldn't she please just try to be understanding? She seemed so open-minded while they were chatting. Harper isn't just a doll, she is a real woman, just one made of silicone. If she would only stay and try it, she might even enjoy the experience. As Robert rambles on, Becca backs up to the door, her mind racing. She is able to stammer 'No thank you. I'm not interested. Please don't contact me again!' before running off into the night. That night, as Becca lies in bed, she dreams that Harper is lying beside her. In her dream, she begins to caress and kiss the silicone woman's body as the camera cuts back and forth between her fantasy and her tossing in her bed. Finally, she opens her eyes to find herself alone and breathing heavily. The next day, Becca sits beside her bed, distracted. She keeps picking up the phone but there has been no contact from Robert. She stares at his profile longingly, wishing she could see Harper's face too. Later that evening, Becca lays on her bed, looking at her laptop. She searches 'silicone woman' and pulls up a website called AuraDolls.com. Scrolling through it, she discovers the Harper model and stares at it. She can't help but be turned on by the thought of being with her. She knows what she needs to do. She closes the laptop and, grabbing her purse, leaves the apartment. Robert sits in his bedroom, quietly reading beside Harper, when he hears someone slam the front door and run up his stairs. Nervously, he gets out of bed to confront them when Becca appears in his bedroom doorway. She is frazzled and full of adrenaline. 'Becca! How did you get in here?' He asks, confused. She walks up and kisses him boldly on the mouth. 'I let myself in, I hope you don't mind.' She whispers. It's the first time a real woman has kissed him in years and Robert melts at her touch. She looks at the doll sitting in the bed. 'I want to try it,' she whispers in his ear. Robert starts to tear up, as he looks at the two women in his bedroom. He takes Becca's hand and pulls back the cover to his bed to invite her in. Tentatively, Becca begins to caress Harper's face, asking Robert if she can kiss Harper. Robert hops onto the bed and puts his arm around Harper, telling Becca that she's very affectionate. Becca climbs up onto the bed and moves towards Harper. She confesses to Robert that she's very nervous, but he reassures her, telling her that there's nothing to be nervous about. Becca can treat her like a real person. Becca delicately kisses Harper's soft lips before turning her attention to Robert and kissing him. Soon the two pull away from each other and slowly peel the negligee off of Harper's chest. Robert leads Becca in caressing Harper's full breasts as Becca gasps. Robert takes off Becca's shirt as she lays down next to Harper. Slipping off the rest of Becca's clothes, Robert trails kisses down her thighs, lightly tonguing her clit before spreading Harper's legs and licking her pussy. Alternating between Harper and Becca, Robert eats both of them out hungrily. Becca may have been hesitant at first, but now that she's gotten to know Harper, can she ever live without the Aura Doll again?

4 years ago 9693 6:15
IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

4 years ago 1742 6:14
'Submission is a choice, born of free will and made from a place of strength. It is a deep-seated need to serve the one who has earned your obedience through patience, respect and trust.' -Unknown We watch a beautiful, submissive housewife (Casey Calvert) getting ready for her husband (Seth Gamble) to get home from work. She is dressed in a retro floral dress and apron with white stockings that highlights her purity. The house is ultra-modern, which contrasts with the woman's pinup style and old-fashioned accessories, as if she was transplanted from the 1950s into the modern world. When she's done vacuuming and dusting, the housewife fills a crystal bowl with milk and saunters to the bedroom with a doting smile. Her pet (Whitney Wright), a young woman dressed in tight leather with a crystal collar clasped around her neck, stirs on the bed. As the housewife sets the bowl on the floor and sits with her pet, the pet nuzzles in close before crawling off the bed to lap at the milk. The housewife admires her darling, obedient pet before leaving the room, with the pet crawling on all fours after her. It's almost time for the husband to arrive, and they're both eager to greet him after his long day at work. When the husband steps in through the door, wearing a handsome suit and fedora, he is greeted by his pretty housewife and pet. Once he makes himself comfortable on the sofa, he's in heaven as he strokes his pet's hair while his housewife makes sure he has everything he needs. Of course, there's just one more thing he needs to really take away the stress of the day... and both his housewife and pet are all too willing to deliver. 'My will is yours. My mind is yours. My body is yours. My heart is yours. My fears belong to you. My desires belong to you. My release belongs to you. My surrender belongs to you. I submit to you. I am yours. But know this... You are also mine.'

'Submission is a choice, born of free will and made from a place of strength. It is a deep-seated need to serve the one who has earned your obedience through patience, respect and trust.' -Unknown We watch a beautiful, submissive housewife (Casey Calvert) getting ready for her husband (Seth Gamble) to get home from work. She is dressed in a retro floral dress and apron with white stockings that highlights her purity. The house is ultra-modern, which contrasts with the woman's pinup style and old-fashioned accessories, as if she was transplanted from the 1950s into the modern world. When she's done vacuuming and dusting, the housewife fills a crystal bowl with milk and saunters to the bedroom with a doting smile. Her pet (Whitney Wright), a young woman dressed in tight leather with a crystal collar clasped around her neck, stirs on the bed. As the housewife sets the bowl on the floor and sits with her pet, the pet nuzzles in close before crawling off the bed to lap at the milk. The housewife admires her darling, obedient pet before leaving the room, with the pet crawling on all fours after her. It's almost time for the husband to arrive, and they're both eager to greet him after his long day at work. When the husband steps in through the door, wearing a handsome suit and fedora, he is greeted by his pretty housewife and pet. Once he makes himself comfortable on the sofa, he's in heaven as he strokes his pet's hair while his housewife makes sure he has everything he needs. Of course, there's just one more thing he needs to really take away the stress of the day... and both his housewife and pet are all too willing to deliver. 'My will is yours. My mind is yours. My body is yours. My heart is yours. My fears belong to you. My desires belong to you. My release belongs to you. My surrender belongs to you. I submit to you. I am yours. But know this... You are also mine.'

4 years ago 948 6:14